Monday, February 18, 2013

vote if you want to hear a modern remix of Handel!

I've kind of always wanted to collaborate with a hip-hop or techno producer and feed him/her some classical piano recordings. So I entered this contest. Vote if you like the idea!
Go here to vote. As of now, I could get into the top ten with less than 8 votes!


Wednesday, February 13, 2013

A message for Annie

Hello Annie,
You sent a message using my contact form. I am sorry not to reply directly, but you did not provide any contact information, so I do not know how to reach you. Please try again and include an email address, phone number, or mailing address.
Or if you got here using a Craigslist ad, the reply-to address that accompanies the ad will send an email to me, so that works too.
Kind regards,
Heather

PS I do in fact know a wonderful violinist.

Saturday, February 9, 2013

Interpreting Scripture from the piano

Choosing music to go with worship services gets more and more interesting the more I do it. There's a whole range of ways to connect text to music. It can be a pretty obvious programmatic connection: next week I will play Balakirev's spooky "The Wilderness" to open a service focused on the story of Jesus in the wilderness. Or music can be chosen according to mood or form: the beginning of Isaiah 43, in which God's children pass through the flood and fire and are kept safe, led me to Beethoven: the Bagatelle Op. 33 no. 2, whose happy little tune goes on a journey through a flooded-sounding passage in minor and a Trio with lots of flickering fast parallel thirds, and emerges unscathed in the end.

Occasionally I wonder if people get the connections or not. A lot of the time I'm happy to leave it up to them to get it or not. Sometimes if there's something I really don't want them to miss, I put in an extremely short program note, maybe a sentence.

I have been thinking about what sort of biblical interpretation is possible from the piano. Music is in many ways more limited than verbal interpretation, especially when there are no singers up there making words. There's no way I'm going to analyze Paul's rhetoric by means of a fugue. Although it could be fun trying. Nor can I discuss several different theories about the afterlife, or clearly separate mistaken interpretations of a text from sound ones.

Music is also in many ways more powerful than verbal interpretation. If I want to try to talk about the peace that passes understanding, words fail quickly, but Beethoven or Schubert can communicate perfectly well. For the precise intersection of despair, nostalgia and memory loss, there are no words, but there is Liszt's Valse oubliƩe no. 1.

I don't mean to say that music is emotional whereas words are intellectual. I do think that music approaches people in a different manner than verbal concepts do. Maybe it is a friendlier manner, less directive, easier to relate to, easier to relate to in multiple ways?

Even on days when I got nothing, in terms of music that fits the text well, I can still play Bach and everyone's happy. Where there's Bach there's church.

Sunday, February 3, 2013

Preludes and Problems

Some exciting new piano music from a couple of young composers I have recently gotten to know.

(Wouldn't a perfect CD title be "Preludes, Problems, and [some other word beginning with P]"??)

From 24 Preludes by Steven O'Brien (Ireland)
(only a midi recording is available.... for now)
Made available free by the composer on soundcloud.com


From Problems for Piano by Jake Bellissimo (USA)
Performed by Andrew Langman
Streaming available free from the composer on bandcamp.com, downloads available for purchase

Friday, January 11, 2013

recordings on pianosociety

Some of my recordings are on Pianosociety.com now. Pianosociety is a wonderful place. Pianists including advanced amateurs and concert pianists have contributed recordings which the public may access for free. The people who operate Pianosociety are incredibly dedicated volunteers and they run a wonderful project. http://www.pianosociety.com (I am now on the left under "Artists")

Thursday, January 10, 2013

Practice videos?

I've been thinking about making a video of what practicing is really like. Not a full 3-hour slog through one of my practice sessions, of course, but a short montage put together over the process of learning a piece, with timestamps and captions that say what issues I'm working on at the time. Then a "finished product" performance at the end.

There are tons of piano performance videos out there especially since the advent of YouTube, but even the ones that say "practice" are pretty much top-to-bottom performances of the piece. Would it be useful for students to see how pianists go through the practicing process? (Would it be reassuring for non-musicians to see that it isn't as easy as it looks in performance?)

Sunday, January 6, 2013

beautiful cacaphony

In the prayers this morning Pastor Williams used the phrase "a beautiful cacaphony of voices all saying different things together." He was talking about the church. What a great way to understand diversity and even argument within the church, not as a bad thing, but as something that sustains us. Kind of like music -- if you have too much of the same thing it's boring. You need dissonance in order to make things interesting.